Buenos Aires, the 1970s. Julia inherits from her grandmother a gift, precious and burdensome. Sometimes visions appear before her eyes, mysterious and terrible apparitions from the future, seen from the perspective of others. From the age of five, Julia must intervene to prevent horrific events. In fact, as her grandmother tells her, it is her duty to do so—otherwise she will lose her gift.
At fifteen, Julia falls in love with Theo, a handsome revolutionary four years her senior. Their lives are turned upside down when Juan Perón, the former president and military dictator, returns to Argentina. Confronted by the realities of military dictatorship, Julia and Theo become Montoneros sympathizers and radical idealists, equally fascinated by Jesus Christ and Che Guevara. Captured by death squadrons, they somehow manage to escape. . . .
In this remarkable novel, Betancourt, an activist who spent more than six years held hostage by the FARC in the depths of Colombian jungle, returns to many of the themes of Even Silence Has an End. The Blue Line is a story centered on the consequences of oppression, collective subservience, and individual courage, and, most of all, the notion that belief in the future of humanity is an act of faith most beautiful and deserving.
"A wonderful first novel . . . It’s got what it takes to become this summer’s bestseller."—RTL
"[Ingrid Betancourt] has written her first adventure novel and it’s a great success . . . The writing is vivid and strong."—Le Figaro Magazine
"Striking the perfect balance, The Blue Line is serious and entertaining at once . . . Thoughtfully constructed between the past and present . . . [it] gets to the heart of the matter: how hard it can be to love, but also the horror of not loving and the pain of no longer loving. It is as dense and beautiful as a fall in slow-motion . . ."—Le Point
"An intense, moving, and gripping book."—Version Fémina
"An adventure novel reminiscent of Isabel Allende or Oriana Fallaci’s A Man. The torture scenes are Dantean. The novel’s structure allows Ingrid to come back to many of the themes that made Even Silence Has an End so powerful. They reappear in the hearts of new characters, yet are no less believable. "-- Paris Match
"A successful and enthralling first novel."—Europe 1
"In The Blue Line, Betancourt tells a love story – that of Julia and Theo – which also underscores the horror of political persecution and torture during the Argentinian dictatorship. She does so with great narrative strength and a touch of magical realism."—El País
"A strong, powerful novel."—Elle
"Bewitching."—Point de Vue
Praise for Ingrid Betancourt's Even Silence Has An End:
"[Even Silence Has An End] is gripping not just for its heart-wrenching portrayal of captivity, but also because of the sharp and useful psychological insights it offers"--The New York Times
"Remarkable."--The Los Angeles Times