As the summer of 2004 draws to a close, Archy Stallings and Nat Jaffe are still hanging in therelongtime friends, bandmates, and co-regents of Brokeland Records, a kingdom of used vinyl located in the borderlands of Berkeley and Oakland. Their wives, Gwen Shanks and Aviva Roth-Jaffe, are the Berkeley Birth Partners, two semi-legendary midwives who have welcomed more than a thousand newly minted citizens into the dented utopia at whose hearthalf tavern, half templestands Brokeland.
When exNFL quarterback Gibson Goode, the fifth-richest black man in America, announces plans to build his latest Dogpile megastore on a nearby stretch of Telegraph Avenue, Nat and Archy fear it means certain doom for their vulnerable little enterprise. Meanwhile, Aviva and Gwen also find themselves caught up in a battle for their professional existence, one that tests the limits of their friendship. Adding another layer of complication to the couples' already tangled lives is the surprise appearance of Titus Joyner, the teenage son Archy has never acknowledged and the love of fifteen-year-old Julius Jaffe's life.
An intimate epic, a NorCal Middlemarch set to the funky beat of classic vinyl soul-jazz and pulsing with a virtuosic, pyrotechnical style all its own, Telegraph Avenue is the great American novel we've been waiting for. Generous, imaginative, funny, moving, thrilling, humane, triumphant, it is Michael Chabon's most dazzling book yet.
About the Author
Michael Chabon is the bestselling and Pulitzer Prizewinning author of The Mysteries of Pittsburgh, Wonder Boys, The Amazing Adventures of Kavalier & Clay, Summerland (a novel for children), The Final Solution, The Yiddish Policemen's Union, and Gentlemen of the Road; as well as the short story collections A Model World and Werewolves in Their Youth; and the essay collections Maps and Legends and Manhood for Amateurs. He is the Chairman of the Board of the MacDowell Colony. He lives in Berkeley, California, with his wife, the novelist Ayelet Waldman, and their children.
Praise for Telegraph Avenue…
“An amazingly rich, emotionally detailed story….[Chabon’s] people become so real to us, their problems so palpably netted in the author’s buoyant, expressionistic prose, that the novel gradually becomes a genuinely immersive experience—something increasingly rare in our ADD age.”
-Michiko Kakutani, New York Times
“Astounding....steamrolls the barrier that has kept the Great American Novel at odds with the country it’s supposed to reflect....[A] huge-hearted, funny, improbably hip book.”
-John Freeman, Boston Globe
“Chabon is an extraordinarily generous writer. He is generous to his characters, to his landscapes, to syntax, to words, to his readers—there is a real joy in his work….Both ambitious and lighthearted, the novel is a touching, gentle, comic meditation.”
-Cathleen Schine, New York Review of Books
“Forget Joycean or Bellovian or any other authorial allusion. Telegraph Avenue might best be described as Chabonesque. Exuberantly written, generously peopled, its sentences go off like a summer fireworks show, in strings of bursting metaphor.”
-Jess Walter, San Francisco Chronicle
“Chabon has made a career of routing big, ambitious projects through popular genres, with superlative results….The scale of Telegraph Avenue is no less ambitious….Much of the wit...inheres in Chabon’s astonishing prose. I don’t just mean the showy bits…I mean the offhand brilliance that happens everywhere.”
-Jennifer Egan, New York Times Book Review (cover review)
“The writing - stylized, humorous and often dazzling - is inflected with tones of jazz and funk. But it’s Chabon’s ear for the sounds of the human soul that make this book a masterpiece, as his vividly drawn characters learn to live at the intersection of disappointment and hope.”
-Robin Micheli, People (4 out of 4 stars)
“Telegraph Avenue is so exuberant, it’s as if Michael Chabon has pulled joy from the air and squeezed it into the shape of words....His sentences spring, bounce, set off sparklers, even when dwelling in mundane details….Fantastic.”
-Carolyn Kellogg, Los Angeles Times Book Review
“Witty and compassionate and full of more linguistic derring-do than any other writer in American could carry off.”
-Ron Charles, Washington Post